#4424. Wishful images: Three cinematographic portraits of a national film company

February 2027publication date
Proposal available till 30-05-2025
5 total number of authors per manuscript6020 $

The title of the journal is available only for the authors who have already paid for
Journal’s subject area:
Visual Arts and Performing Arts;
Communication;
Places in the authors’ list:
place 1place 2place 3place 4place 5
FreeFreeFreeFreeFree
2230 $1120 $1000 $890 $780 $
Contract4424.1 Contract4424.2 Contract4424.3 Contract4424.4 Contract4424.5
1 place - free (for sale)
2 place - free (for sale)
3 place - free (for sale)
4 place - free (for sale)
5 place - free (for sale)

Abstract:
The idealized presentation of society in China, as well as the idealization of cinema in drama films of one of the first Chinese film companies, the Lianhua Film Company (1930-1937), manifested national identity in a certain way. The company has created a number of vivid cinematic interpretations of current reality and offered its own version of utopia. The companys activities fell on the period before the Japanese invasion and is closely associated with the ideological struggle with the likely invaders. The analysis was carried out both on the basis of the study of the visual text of the films, and on the basis of written historical sources documenting the activities of the company and its figures.
Keywords:
filmmaking; Sino-Japanese War; film management; Lianhua (U.P.S.); national product movement

Contacts :
0