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#4269. CERAMIC transmission 20XX
| November 2026 | publication date |
| Proposal available till | 27-07-2025 |
| 4 total number of authors per manuscript | 0 $ |
| The title of the journal is available only for the authors who have already paid for |
| Journal’s subject area: |
| Visual Arts and Performing Arts; |
| place 1 | place 2 | place 3 | place 4 |
| Free | Free | Free | Free |
| 2510 $ | 1340 $ | 1170 $ | 1000 $ |
| Contract №4269.1 | Contract №4269.2 | Contract №4269.3 | Contract №4269.4 |
1 place - free (for sale)
2 place - free (for sale)
3 place - free (for sale)
4 place - free (for sale)
Abstract:
Since the Covid-19 pandemic 20XX we have experienced so much of our lives through our computer and phone screens - including the 1,787,366 people have shared the image of the Mona Lisa on social media. I consider how we can design artworks to communicate digitally utilising a range of senses testing the notion that if you enable visitors to galleries and museums to touch sculptures it should enable greater understanding about complex ideas. The focus of my artworks was the history of the transmission of disease. I original designed ceramic sculptures that incorporated touch sensitive electronic sound components. Touching objects and visiting galleries became off limits during the pandemic so the touch hypothesis could not be tested, and instead QR codes were used to allow the digital viewer to extend their experience beyond the visual. The project started as an art in science experiment in incorporating sound, sight and touch into sculpture, but finally became my personal memorial to 20XX pandemic.
Keywords:
digital; disease; installation; Memorial; pandemic; public art
Contacts :
2 place - free (for sale)
3 place - free (for sale)
4 place - free (for sale)
Abstract:
Since the Covid-19 pandemic 20XX we have experienced so much of our lives through our computer and phone screens - including the 1,787,366 people have shared the image of the Mona Lisa on social media. I consider how we can design artworks to communicate digitally utilising a range of senses testing the notion that if you enable visitors to galleries and museums to touch sculptures it should enable greater understanding about complex ideas. The focus of my artworks was the history of the transmission of disease. I original designed ceramic sculptures that incorporated touch sensitive electronic sound components. Touching objects and visiting galleries became off limits during the pandemic so the touch hypothesis could not be tested, and instead QR codes were used to allow the digital viewer to extend their experience beyond the visual. The project started as an art in science experiment in incorporating sound, sight and touch into sculpture, but finally became my personal memorial to 20XX pandemic.
Keywords:
digital; disease; installation; Memorial; pandemic; public art
Contacts :
