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#4459. Review of the transnational cinemas special interest group panels at the society for cinema and media studies conference, Seattle, Washington, USA, March 13–17, 20XX
| August 2026 | publication date |
| Proposal available till | 12-05-2025 |
| 4 total number of authors per manuscript | 0 $ |
| The title of the journal is available only for the authors who have already paid for |
| Journal’s subject area: |
| Visual Arts and Performing Arts; Communication; |
| place 1 | place 2 | place 3 | place 4 |
| Free | Free | Free | Free |
| 2510 $ | 1340 $ | 1170 $ | 1000 $ |
Contract №4459.1   | Contract №4459.2 | Contract №4459.3 | Contract №4459.4 |
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2 place - free (for sale)
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4 place - free (for sale)
More details about the manuscript: Arts & Humanities Citation Index or/and Social Sciences Citation Index
Abstract:
Nomenclatures and categories are often the semiotic vanguard of such changes. Perhaps in the case of cinema studies, especially as it relates to the Society of Cinema and Media Studies, one can easily identify two such moments – the year 2002, when the organization changed its official name from Society of Cinema Studies, and 2018, when the name of its peer-reviewed journal was changed from Cinema Journal to The Journal of Cinema and Media Studies. Such changes in name are a sign of disciplinary evolution, and an attempt to account for the efflorescence of new objects, trends and directions that emerge with tectonic shifts in the dimensions of the discipline. The eclectic mix of panels on media from various historical periods and ranging from television, to film to streaming platforms demonstrated the willingness of the Transnational Cinemas Special Interest Group to rethink its own scope and boundaries. The meanings of the term ‘transnational’ continue to be expanded and reformulated to attend to new developments in the landscape of global media, and this was clearly reflected in the SIG’s choice of sponsoring panels on seemingly disparate areas.
Keywords:
Cinema studies; global media; panels on media; Interest Group
Contacts :
2 place - free (for sale)
3 place - free (for sale)
4 place - free (for sale)
More details about the manuscript: Arts & Humanities Citation Index or/and Social Sciences Citation Index
Abstract:
Nomenclatures and categories are often the semiotic vanguard of such changes. Perhaps in the case of cinema studies, especially as it relates to the Society of Cinema and Media Studies, one can easily identify two such moments – the year 2002, when the organization changed its official name from Society of Cinema Studies, and 2018, when the name of its peer-reviewed journal was changed from Cinema Journal to The Journal of Cinema and Media Studies. Such changes in name are a sign of disciplinary evolution, and an attempt to account for the efflorescence of new objects, trends and directions that emerge with tectonic shifts in the dimensions of the discipline. The eclectic mix of panels on media from various historical periods and ranging from television, to film to streaming platforms demonstrated the willingness of the Transnational Cinemas Special Interest Group to rethink its own scope and boundaries. The meanings of the term ‘transnational’ continue to be expanded and reformulated to attend to new developments in the landscape of global media, and this was clearly reflected in the SIG’s choice of sponsoring panels on seemingly disparate areas.
Keywords:
Cinema studies; global media; panels on media; Interest Group
Contacts :
