#4427. “Yesterday once more:” IP film, phantom/fandom of music, and the youthful (re)turn of Chinese cinema in the age of new digital media

January 2027publication date
Proposal available till 30-05-2025
4 total number of authors per manuscript6020 $

The title of the journal is available only for the authors who have already paid for
Journal’s subject area:
Visual Arts and Performing Arts;
Communication;
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Abstract:
New digital media seek to understand the origins of their own creative potential and their inherent intermediality and heterogeneity of the creative landscape. Especially important is the phenomenon of the millennium narrative in China, which is characterized by a special vision of the length of time on the verge of millennia through the prism of human personalities and the history of growing up. Over the past decade, growing-up films have taken on a special place in Chinese cinema and gained extraordinary popularity, reflecting precisely the biographies of the filmmakers of the generation of the 1970s and 1980s. Their biographies reflect the transformation of the countrys culture and society, and the use of a diverse musical background emotionally delimits the identity of youth and origins from the postmodern and socially more alienated environment of the adult generation.
Keywords:
media history; growing up history; millennium narrative; intermediality; nostalgia for youth

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