#4351. Colour-blind Casting in Twenty-First Century British Theatre: Colourism, Racism, and the Representation of Black People on Stage
September 2026 | publication date |
Proposal available till | 04-06-2025 |
4 total number of authors per manuscript | 0 $ |
The title of the journal is available only for the authors who have already paid for |
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Journal’s subject area: |
Visual Arts and Performing Arts; |
Places in the authors’ list:
1 place - free (for sale)
2 place - free (for sale)
3 place - free (for sale)
4 place - free (for sale)
More details about the manuscript: Arts & Humanities Citation Index or/and Social Sciences Citation Index
Abstract:
Colorism, the discrimination against individuals based on their skin tone, has long influenced the opportunities available to African Americans. In response to this discrimination, historically, African Americans often found alternate ways to present themselves. Some actors moved outside the mainstream industry while others played into stereotypes. The creation of race movies for and by African Americans in the early 1900s sought to offer more complex narratives and roles. The various ways African Americans responded to discrimination shaped the early industry and documented a legacy of unequal representation.
Keywords:
Discrimination; unequal representation; mainstream industry; theatre; gender
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