#4313. Re-reading a quatrain by Mary Queen of Scots
September 2026 | publication date |
Proposal available till | 03-06-2025 |
4 total number of authors per manuscript | 0 $ |
The title of the journal is available only for the authors who have already paid for |
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Journal’s subject area: |
Literature and Literary Theory;
Visual Arts and Performing Arts;
Religious Studies;
History;
Cultural Studies; |
Places in the authors’ list:
1 place - free (for sale)
2 place - free (for sale)
3 place - free (for sale)
4 place - free (for sale)
Abstract:
Contributing both to work on Mary Queen of Scots’ poetry in particular, and to the growing field of early modern women’s marginalia more broadly, in this article I draw renewed attention to an overlooked autograph copy of a quatrain by Mary Queen of Scots (‘Si ce Lieu est’) in Sheffield, Guild of St George, MS R.3546. Mary’s verse appears here below an image of Christ’s wounded heart and opposite an image of a priest celebrating the Eucharist. In the first half of the article I discuss the manuscript’s provenance and its association with female members of Mary’s family, and I also assess the poem’s editorial history and critical heritage. I then propose a new translation and offer original readings of Mary’s self-consciously meta-textual wordplay. Most significantly, I make a case for the importance of reading ‘Si ce Lieu est’, like other examples of Mary’s poetry, not just in isolation but very much alongside the visual material it accompanies.
Keywords:
Poetry; Mary Queen of Scots; image; reading; manuscript
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