#3598. Emplotment beyond the human scale: On deep time and narrative nonlinearity
October 2026 | publication date |
Proposal available till | 01-06-2025 |
4 total number of authors per manuscript | 0 $ |
The title of the journal is available only for the authors who have already paid for |
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Journal’s subject area: |
Literature and Literary Theory;
Cultural Studies;
Language and Linguistics;
Linguistics and Language;
Communication;
Sociology and Political Science; |
Places in the authors’ list:
1 place - free (for sale)
2 place - free (for sale)
3 place - free (for sale)
4 place - free (for sale)
More details about the manuscript: Arts & Humanities Citation Index or/and Social Sciences Citation Index
Abstract:
In the second volume of Time and Narrative (101-12), Paul Ricoeur distinguishes between two layers of temporality in Virginia Woolfs Mrs. Dalloway (1925): he calls them “monumental” time and “mortal” time. The former is connected with authority and British imperial politics; the latter is the subjective, highly malleable time of human experience. This is not to say that narrative is at ease with this deep temporality; as a practice, it seems fundamentally skewed toward the ethical and hermeneutic concerns that Ricoeur foregrounds in his work. But deep time does surface in narrative; this article is concerned with the formal challenges raised by such surfacings.
Keywords:
Eco-narratology; Ecological crisis; New formalism; Nonlinear narrative; Plot; Spatial form
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